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BiographyEdit

Finn Ross trained at Central School of Speech and Drama and designs video and projection for live performance. He has won two Olivier’s, a Tony and a Drama Desk & Outer Critics Circle award.

Recent work theatre includes: Curious Incident of the Dog in the Night-Time (Broadway/West End/NY), In the Body of the World & The Crossing (American Reparatory Theatre), American Psycho (Broadway & Almedia); Betrayal (Broadway); Chimerica (Almeida & West End), Closer (Donmar), Master and Margarita, All My Sons, Shunkin (Complicite), Damned by Despair, Green Land (RNT), Die Ringe des Saturn (Schauspielhaus, Köln), Ten Plagues (Traverse); Top Girls (Chichester/West End); Sunset Boulevard (Gothenburg Opera).

Opera includes: The Rise and Fall of the City of Mahagonny (Royal Opera House), Missa Solemnis (LA Phil); Benvenuto Cellini, Death of Klinghoffer, Death in Venice, Onegin, Simon Boccanegra, Damnation of Faust, Don Giovanni, (ENO); Hänsel und Gretel, Zäuberflote, A Dog’s Heart (DNO, Amsterdam); La clemenza di Tito, Mr Brouček (Opera North), Les Pêcheurs de Perles, Béatrice et Bénédict, Turn of the Screw (Theatre an der Wien), Imago, Rinaldo, Knight Crew (Glyndebourne), Lady from the Sea (Scottish Opera); Beethoven Symphony No. 5 (Chicago Symphony Orchestra); Das Portrait (Bregenz).

Dance includes: Le Petit Prince (National Ballet of Canada), Frankenstein (Royal Ballet) and The Feeling of Going (Skånes Dansteater and Malmö Opera).

Work with Jim SteinmanEdit

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